Friday, March 21, 2014
The Ocean at the End of the Lane is Gaiman’s return to adult magical realism. In this novel, a man looks back on events that occurred when he was 7 years old, when he comes, for a time, under the protection of the mysterious family who live down a dirt road not far from his house. When a sudden death unleashes an old elemental evil, the boy is caught up in the battle to subdue it, a battle waged by his friend Lettie Hempstock and her mother and grandmother, who look harmless, but whom we soon find out are practitioners of powerful ancient magic.
Like all good magical realists, Gaiman expertly mixes the mundane with the fantastic. Thus our 7-year-old is worried about his birthday party and loves his kitten, but he unquestionably accepts that Lettie’s grandmother can change past events with her needle and thread, and that Lettie keeps a jar of shadows dissolved in vinegar. For a time the malevolent force takes on the shape of something that terrifies all children: an evil nanny. Gaiman says that this book is partly about the ways in which children are wiser than adults--the boy can sense the nanny’s true nature right away, but his father cannot. Her powerful sexual hold on the father is rendered in a few quick, disturbing scenes that are brilliantly written. Adult readers can tell exactly what is going on, but the boy only knows that something is horribly amiss and he cannot understand why his father can't see it.
Gaiman has written about Lettie Hempstock’s family before, most recently in The Graveyard Book. I would love to see a whole novel about the Hempstock women, especially one that focused on the grandmother, who says she remembers the Big Bang. This is clever, original stuff and I wish that Gaiman would spread himself a bit less thinly so he could give me more of what I want.
(Book 4, 2013)